Monthly Archives: August 2011

Plotting Frenzy Over the Week

I’ve finished plotting my third manuscript over the week. I couldn’t get enough- my brain was flourishing with ideas, even over the hard parts of plotting (like overcoming the climax and how to resolve all the conflicts in the end). It feels fabulous to have these ideas come to a temporary close. I’m sure I looked something like this:

I say temporary close because there could always be tweaks and turns from my outline as I start writing the rough draft. There always are.

No, that's not me. But I write in a notebook like this.

But the best part, my friends:

It’s all on paper!!!

It’s in ink on a physical white sheet, as well as a digital file on my trusty Macbook. I can see it. Touch it. Absorb it on my skin and leave ink marks all over the place. Or maybe not, my husband would be mad with black fingerprints all over the furniture. But it’s not in my head, swirling in a massive cloud, much like the pensieve in the Harry Potter books.

But the characters are alive in my brain, each whispering their dreams, pet peeves, sense of humor, and even what turns them on. (Hey, it’s a romance. I gotta know the juicy details better than anyone).

And it took about a week to put the whole thing down. So cool!

Although don’t get me wrong folks- I’ve had this idea for the third novel in my head for over a year. I have just been more focused on the second novel and finishing the first draft and sending it out for revisions.

But I love being this productive. It’s hard to go to sleep at night because I have so many ideas churning and bursting to get out. I love this part of writing!

Yes, folks, this is how I feel right now!

Can’t Wait to Plot

So, I’ve only gone through the first round of revisions on my manuscript and have sent it out to my critique group. And I’m not stopping there.

I’ve already started plotting and creating the character sketches for the next book that’s twirling around in my head.

Some could call me a glutton for punishment, since I have at least 2 more rounds of revisions on this thing. But I’d rather get these ideas on paper than let them continue to torment me in my head. I’ve had this story idea for a little over a year, but didn’t have enough of a concrete plan to bash it out on paper.

But this time around, I’m paying more attention to the character development than before. Because in this particular story, their personalities are going to be a lot more center-stage. So for the first time in my life, I’m focusing on the characters first, and not the plot.

Even searching several screenshots of people online (Yahoo Images) to see if I can find anyone that closely resembles the image I have in my brain of my characters. I can’t draw for crap, so literally sketching them isn’t gonna work. I’m much more visual.

But I can sketch the rest of them on paper. Their goals, motivations, conflicts (GMC to any of you writers out there). What makes them tick, sing, cringe, and I can find all their buttons (and push them relentlessly!)

A writer friend of mine gave me what she uses for Character ‘Interviews,’ where she gets to know them more by playing the role of a therapist while her MC’s sit on a couch and dish out their lives and inner most thoughts. Creative!

If you peruse around on the web, you’ll find a whole bunch of different resources to help you create your characters. Character Development, character sketches, character questions… type in anything for ‘character’ and you’ll find umpteen-million.

The one I’ve used before I found here.

But clearly that’s not the only thing I’m going to use to know every inch and cranny of my characters for this iota of an idea. But you need to start somewhere.

Critique Groups are Supposed to Help, Not Hurt

I recently read another author’s blog that made me think about critique groups.

First of all, I love my writers group. And I’m not just saying that because I’m the President. My writers group and the fabulous other writers who’ve critiqued my work have been one of the best assets of my entire experience.

But the author’s blog I read claimed that her writers group ‘critiqued the voice out of her novel.’ I can only imagine session after session of sitting with her critique members and them offering suggestions of how to improve her language, grammar, and characterization efforts backfired. So when she finally read the ‘revised’ version of her manuscript, she couldn’t even recognize it as her own. Maybe it felt flat to her because she didn’t recognize her words. But her voice was gone.

How frustrating!

But then I thought about it further. She had the right to refuse those suggestions. They were just there to help, not to be vicious and purposely make her spicy work become vanilla. Why didn’t she speak up for her own writing? Why did she cave?

Perhaps she thought the other members were more experienced than she. Therefore, her opinions (while mattered) weren’t as crucial as the others.

Perhaps she believed her fellow writers were experts in the genre she wrote. Or if not experts, at least liked the genre and had read a lot of books to be knowledgeable of it.

Very possible. Even plausible.

But bottom line, its her writing. At some point in every writer’s career, they will receive critiques and ‘friendly suggestions’ from friends, other writers, editors, and agents that may not be in the best interest of the story.  I’ve had several. But I at least recognize it’s meant to help. Everyone’s critique is his or her own opinion. It’s up to the writer to determine what they’re comfortable with accepting. To determine how open minded they want to be. To find out what kind of suggestions they are getting and how credible the sources are.

I know that’s a tremendous hodge-podge of what-ifs, and can scare the crap out of any aspiring author. It still scares me from time to time.

I think it all comes down to 3 things.

First, the writers group you belong to. What kind of people are involved? Are you comfortable reading in front of them and sharing your thoughts? Are they supportive, open, and constructive? Do you feel comfortable not accepting a crit?

Second, how open-minded are you? Meaning, do you defend every tiny detail of your manuscript when someone tries to make a suggestion on a character, setting, or plot line? Or do you cave at every suggestion without getting second opinions or really thinking it through?

Lastly, and most importantly, you gotta love to keep writing. Even after all the crits, suggestions, revisions, rewrites, and gut wrenching rejections from agents or editors (if you’ve submitted), you have to love the story. The characters. Everything about it. Because if you don’t, there’s no way anyone else will. You are your story’s greatest fan and biggest cheerleader. If you don’t love it, go back and ask yourself why. Don’t let someone else talk you out of your own voice.

All that being said, I feel very lucky. I’ve found a writers group I’m comfortable with.  They’ve made fabulous suggestions for me that I’ve loved and have only made my writing stronger. But I also don’t feel threatened when I don’t take one of their suggestions. If you don’t have the same feeling about your ‘helpers,’ find new ones. Stand up for your voice.

 

Revise, Revise, Revise… I Need More Coffee

For those of you who are wondering which stage of my manuscript I’m in, and what that looks like:

Even though this cartoon shows working on 6th draft, I’m currently on the first round of revisions (just me looking through it), which should take maybe another two weeks to complete. And about three more bags of coffee beans. Preferably French Vanilla or Snicker Doodle flavor). Then I send it out to my critique partners for their full glance-through. I have no clue how long that will take, but I’m sure that’s at least three weeks. Perhaps I should buy them each a bag of coffee. Or tea, whatever floats their cup.

I think in total I may have about 4 rounds to go through, but if it takes more, carpe diem and carpe cafe!

Keep writing forward!